Argentine artist Adrián Villar Rojas is known for his large-scale, site-specific sculptural installations that transform their environs into a vision of their own potential future. Employing a unique mixture of cement and clay, Villar Rojas imbues his sculptures with a material destined to crumble while on view. His works combine the daunting scale of conventional public sculptures with a precarious fragility, keeping viewers mindful of the ephemerality of even the most imposing monoliths.
For the High Line, the artist presents The Evolution of God, a new, site-specific installation composed of thirteen abstract sculptures which punctuate the wild, self-seeded landscape of the High Line at the Rail Yards, and creates a sculptural progression and a rhythmic sequence of forms, reminiscent of a musical score. This new project extends the artist’s own traditional treatment of materials, by integrating organic elements such as seeds, vegetables, and other perishable components inspired by the natural landscape on the High Line as well as non-perishable items such as clothing, sneakers, and rope. Seemingly sturdy, the sculptures will instead turn into living organisms, revealing the passage of time through vegetal sprouts and tectonic cracks, which will slowly return the sculptures to the surrounding landscape.
Photos by Timothy Schenck.